Kamran Jawaid | This is the unedited original copy of the feature published in Mag the Weekly with the title on the 17th of June 2017 and can be read here. The print copy is attached at the end of the post.
To re-purpose Charles Dicken’s opening line from A Tale of Two Cities: “It is the best of Eid; it is the meekest of Eid. It is the Eid of predictability; it is the Eid of challenges”.
This Eid-ul-Fitr seems to be unremarkable for cinema, with one or two exceptions. Yalghaar and Mehrunisa V Lub U are front runners in a cramped release schedule of primarily Hollywood releases – Transformer: The Last Knight, Pirates of the Caribbean: Dead Men Tell No Tales, Despicable Me 3 and carry over titles The Mummy – and maybe – Wonder Woman.
Some of these titles are already hampered by Ramazan where audience turn out is generally very low. The other cause are international release dates that happen during or at Eid and piracy.
Continue reading “Feature | The Big Screen Crunch – Yalghaar and Mehrunisa V Lub U vs. Everyone Else”
This post is the unedited copy of the review published in Mag the Weekly, on 18th of June 2016.
Hassan Waqas Rana – An Insight On the Man & Big Budget Cinema of Pakistan
By Mohammad Kamran Jawaid
A few years ago when WAAR came, I was one of the most vocal of its critics. So impassioned was my review (with due reason, of course), that the director himself voiced his opinion in the comments. One of my strongest arguments were the problems with the screenplay. Now years later, when I had an opportunity to have a long detailed conversation with WAAR’s producer Hassan Waqas Rana, he himself admits that the screenplay was at fault; he was, as he points out, a first time screenwriter. Although we talked about WAAR is detail, most of my conversation was about Mr. Rana’s next big – evidently far more extravagant – venture Yalghaar, set to come out this year.
Talking about WAAR, Mr. Rana says that “I didn’t write Dr. Zhivago”, later adding that critics should understand what they are writing about. “It had the philosophical context of a bloody axe”, he adds to the genre of his first film.
Continue reading “Interview: Hassan Waqas Rana by Kamran Jawaid”