Dawn.com Movie Review: London Paris New York – By Kamran Jawaid

This post is the unedited/correction appended version of the review, now up at Dawn.com. The published version is linked at the end of the post.

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A Tale of Three Cities: From Way Past, to the Present

By Mohammad Kamran Jawaid

With “London Paris New York”, the new film starring Ali Zafar, directed by Anu Menon, this film critic concludes one question that has been hanging over his mind since last month: This isn’t Bollywood’s month in romance movies.

Hot on the heels of “Ek Deewana Tha” and “Ek Main Aur Ekk Tu”, both romantic dramas aiming at urban audience, “London Paris New York” has Ali Zafar as Nikhil Chopra, who when we first meet him, aspires to be a filmmaker. In London airport, he meets–cute with Lalitha Krishnan (Aditi Rao Hydari), a young woman with an amateurish outlook on feminism and politics – and whose maturity never levels up in the film’s passage of time.

In their first meeting, highlighted by two very long steadicam-takes, one notices a spark gradually, and innocently, developing between Nikhil and Lalitha.

Lalitha has missed her connecting flight to New York and Nikhil, on his first day of un-parented “freedom”, suggests they spend her remaining time adventuring through London. So like backpackers, they ride up the city, get wet in unscheduled rain (then again, its London, there’s always unscheduled rain there, a fact Nikhil corroborates in the film), and then become drunk by a wine glass or two. As this is a Bollywood movie, there’s also (un-choreographed) singing and dancing in a church.

A few years later, in 2007, they do this exercise again in Paris – and that too with updated vogue. Nikhil now sports a goatee and Lalitha has chopped up hair with alarming red lip-wear. The two also have a brewing conflict about infidelity whose reasoning I felt lacking (because the film is setup in gora-territory, I guess carnal knowledge is a necessary element for filmmakers). They, of course, separate –– again.

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Finally years later, today, Nikhil, now a filmmaker, tracks down Lalitha and they spend another night in New York obliviousness to the severity of their differences. If anything, fracases are painlessly contended in this story.

Yes from the way the story is folding, “London Paris New York” is a new-age Bollywoodized variation of “Before Sunrise” and “Sunset”, with three episodes packed into a 90+ minute running time. However, there’s a transparent dissimilarity between the two. Even with a short running time, this film’s screenplay (also credited to Anu Menon), forgets to add any ingeniousness, or spontaneity to its plot.

The London bit starts out welcomingly fresh, where both characters are guided by their youthful conviction. When they do grow up, two years later, their lives are a train-wreck of misguided adulthood. By the time New York happens, we see the film pacing itself for a climax, and little else.

Despite Ali Zafar’s alluring on-screen personality, and his monotonous-sounding voice with the slight Punjabi-drawl, we never build a connection with Nikhil. Lalitha, sheepish and misguided by the pragmatism of her nature, is even more departed to our emotions.

“London Paris New York” has seven tracks on its album, with Music and Lyrics credited to Ali Zafar. The soundtrack is a snug fit within the overall structure of the film. They, almost never, interrupt the flow of the story.

With his third major Bollywood feature, I can safely assume that Ali Zafar is now a bona fide Bollywood commodity. There’s obvious, untapped, star-power here; and this raw resource puts him right up there with the best of Bollywood’s next generation.

Like “Tere Bin Laden” – the finest work in his current resume – one can spot the work he’s molded into his character. Ali Zafar has a definite Pakistani naturalness to his performance. Despite our shared heritage, there’s a vivid contrast between our body languages, and this gradient uniquely deviates him from what we expect of Bollywood leads.

If anything, that unmistakable freshness suits the movie just fine.

Distributed by Fox Star Studios. Directed and written by Anu Menon; Produced by Goldie Behl and Shrishti Arya; Music and Lyrics by Ali Zafar.

“London Paris New York” is currently playing in Pakistani screens.

The Dawn.com version is at: http://www.dawn.com/2012/03/05/movie-review-london-paris-new-york.html

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